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The Children…’s Blues is a Primal Yowl

06.03.2024 by M Donaldson // 1 Comment

The three members of The Children… sitting around

The Children…, as you have already noticed, follow their band name with three dots, periods, or stops. I detect the implication of something sneakily approaching. Whatever it is, it’s not necessarily coming for the children, but maybe it’s the children themselves, Village of the Damned-style. I say this in hindsight after listening to A Sudden Craving, the second album from The Children… The music evokes multitudes. It’s a layered and cinematic affair with intricate instrumentation, spacious sonic production, and beguiling stranger-lurking-around-the-corner vocals. The songs on A Sudden Craving are also delightfully ominous, spurring a complexity in their deep darkness—a reflection, rather than a warning, of what comes after those three dots. It might be those spooky movie kids with glowing eyes, or it could just be something chasing childhood’s innocence down a night’s cityscape.

The core of The Children… is Michael Wiener, Jim Coleman, and Phil Puleo. Others float in and out, but this trio provides the bulk of the instrumentation and songwriting credits, with Michael also deploying the vocals. Jim and Phil are veterans of Cop Shoot Cop, and Phil has done time in Swans and Swans offshoot Angels of Light. Michael’s artistic journeys have taken him into the avant-garde, as well as writing essays, criticism, and screenplays. Bonus points: Michael is a memorable figure in the fantastic documentary Hail Satan!, described as the film’s ‘performative inspiration.’

The band’s collective curriculum vitae (which I’ve largely truncated—there’s much more to these three) informs A Sudden Craving toward the ambitious, the unrepentantly artistic, and a product of the grimier parts (are there any others?) of New York City. The noisier, perhaps industrial-inflected, side of late ’80s NYC rock echoes throughout, but the imagined spaces frequently found in these songs add a quiet contemplation to the set. Most importantly, it’s a dynamic reading, especially when the album is listened to from head to toe. Whatever malevolent Children… are coming upon us, I’m guessing they’ll be won over by candlelight.

Months ago, I sent a handful of questions to The Children… and received prompt and generous responses from Michael and Jim. However, the interview’s appearance on this site was not as prompt as I suddenly needed a cornea transplant1It went well! I may write more about this soon, or I may not., which put all eye-related goals on the back burner. My apologies to everyone involved, of course, accompanied by gratitude for these illuminating answers from The Children… In this exchange, the two touch on the darkness of an NYC music scene, how improvisation is everywhere, how they embrace a certain definition of ‘gothic,’ and tales from the recording of A Sudden Craving. Enjoy, kiddos.

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Categories // Featured, Interviews + Profiles Tags // Cop Shoot Cop, improvisation, industrial music, music scenes, New York City, Swans, The Children

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8sided.blog is an online admiration of modernist sound and niche culture. We believe in the inherent optimism of creating art as a form of resistance and aim to broadcast those who experiment not just in name but also through action.

It's also the online home of Michael Donaldson, a curious fellow trying his best within the limits of his time. He once competed under the name Q-Burns Abstract Message and was the widely disputed king of sandcastles until his voluntary exile from the music industry.

"More than machinery, we need humanity."

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