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Trevor Horn: Digital Sampling with a Sense of Humor

12.27.2016 by M Donaldson // 2 Comments

Thanks so much to Jaco & Co. for turning me on to this fantastic three hour (!) conversation with production hero Trevor Horn:

Hearing Horn’s ’80s production work when it was new and still otherworldly had the hugest influence on me, as his sound transformed my teenage daydream goal of rock star to music producer. When I heard Frankie’s Welcome To The Pleasuredome (with its insane technical details in the CD liner notes), Propaganda’s A Secret Wish, and – especially – (Who’s Afraid Of) The Art Of Noise? I had to know exactly how these recordings were made. This led me down a rabbit hole that I’m still enjoyably descending.

Fondest memory of the time: via Art Of Noise, learning about this thing called a ‘digital sampler’ and then, mind blown, writing down a long list of all the household objects I would sample once I eventually acquired one. That record rewired my brain and the way I listened to everything around me. And, before you ask, I, unfortunately, have no idea what happened to that list.

One of my favorite parts of this conversation (hosted by Trevor Jackson who gets some delightful anecdotes out of his subject) is when Horn talks about his Fairlight CMI sampler, bought using “Video Killed The Radio Star” royalty. (An aside: this made me think how different music production history would be if that record hadn’t been a hit!) Horn reckons that he was the only prominent Fairlight owner who treated the device with a sense of humor, the other early UK Fairlight-ers being Peter Gabriel and Kate Bush. This was cool to hear as the fun and levity that Trevor Horn (and Fairlight engineer / Art Of Noise member J. J. Jeczalik) brought to sampling was one of my attractions to this work, and shaped how I approach my time in the studio. I think you can hear this in my own music.

Trevor Jackson’s musical selections in this show lean toward rare remixes from the period and it’s fascinating how prescient they were, and how Horn somewhat humbly downplays their brilliance. I was reminded of this stunning (and, yes, humorous) 1986 remix of Frankie’s “Rage Hard” which I hadn’t heard since it was relatively new, and I’d totally forgotten about it:

Previously.

------------------

Related posts:

  1. Groove On: How DJs Created the 12″ Single
  2. Dream Within A Dream: The Story Of Propaganda (and ZTT)
  3. User-Centric Dreaming

Categories // Musical Moments Tags // Audio Production, Fairlight CMI, Interview, Music History, Remix, Trevor Horn

Trackbacks

  1. Groove On: How DJs Created the 12″ Single says:
    April 26, 2019 at 3:39 pm

    […] video, has a place in 12” history not mentioned in the video. He was a co-founder — alongside Trevor Horn — of ZTT Records and an original Art Of Noise member. Morley’s input was mainly in the […]

    Reply
  2. The Art of Alan White says:
    May 27, 2022 at 6:50 pm

    […] 🔗→ Previously: Digital Sampling With a Sense of Humor […]

    Reply

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8sided.blog

 
 
 
 
 
 
8sided.blog is an online admiration of modernist sound and niche culture. We believe in the inherent optimism of creating art as a form of resistance and aim to broadcast those who experiment not just in name but also through action.

It's also the online home of Michael Donaldson, a curious fellow trying his best within the limits of his time. He once competed under the name Q-Burns Abstract Message and was the widely disputed king of sandcastles until his voluntary exile from the music industry.

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