8Sided Blog

a zine about sound, culture, and the punk rock dream

  • 8sided About
  • memora8ilia

Colorfully Aligned

July 25, 2022 · 2 Comments

I was pretty excited to see Chrome featured on Bandcamp Daily. The piece is an excellent overview of the pioneering San Francisco duo, revealing more than a few tidbits I didn’t know. The article is understandably from guitarist Helios Creed‘s perspective (as band partner Damon Edge passed a couple of decades back), and he takes a lot of credit. But there is something to be said about Creed’s spiraling guitar lines and bizarro feedback treatments, sounding like nothing else in the late ’70s — someone that ahead of time was likely the main driver pushing Chrome to the, uh, edge.

Chrome has sadly remained under the radar even though their influence is apparent throughout the last forty years of the freaky-deeky side of rock n’ roll. For example, the Butthole Surfers definitely got their hands on a Chrome album or two in their formative days.

I initially found Chrome in my mid-teens through the “New Age” video (probably seen via Night Flight). I was always on the hunt for weird shit™ to help me escape the confines of life in Central Louisiana, and “New Age” fit the bill. The song — and Chrome’s output at the time — was a remarkable portent. It signaled many things on the horizon, both sonically and culturally. Check the cyberpunk current running through the “New Age” video, which also pays homage to A Clockwork Orange and THX 1138.

Chrome - New Age

Around the time I discovered Chrome, I also encountered Cabaret Voltaire’s Red Mecca. That’s not too far off of a connection — Chrome were, in a way, the American Cabaret Voltaire when one looks at their respective experiments recorded in the late ’70s and early ’80s. And as many accept Red Mecca as a dark reflection on England’s Thatcher years, Chrome’s 1980 album Red Exposure (colorfully aligned!) could be seen as a similar reaction to the national mood that brought the US into the Reagan era.

And listen to Cabaret Voltaire’s “Landslide,” taken off Red Mecca. My favorite DJ in the world will be the one who sublimely mixes this with “New Age” in the middle of a packed-out ’80s night somewhere.

Cabaret Voltaire

❋-❋-❋-❋-❋-❋-❋-❋

I’m torn. YouTube is a repository of things otherwise impossible-to-find or out-of-print. It’s the only public place where you can hear Kraftwerk’s disowned early albums or watch Keith Levene abuse a Prophet-5 as PIL runs through “Careening.” These things are on YouTube because of fans and super-fans, noting a cultural absence and taking matters into their own hands. But no one’s getting paid, except for YouTube. And maybe also the uploader who unscrupulously turns on the monetization of a vintage work that’s not theirs.1The Chrome and Cabaret Voltaire videos above were uploaded respectively by Helios Creed and Mute Records, so they are welcome to monetize to their hearts’ content. That’s why I’m torn.

But discoveries like The Black Tower make YouTube seem all right. The enigmatically but actually named John Smith is a British avant-garde filmmaker whose work escaped me until I randomly peeped an exchange about The Black Tower on the Twitter machine. From what I’ve recently seen, Smith’s work is minimal but compelling, weaving stories and visual play from things noticed in his immediate surroundings. For instance, the 1975 short film Leading Light looks entirely shot in his bedroom.2Sharp eyes might spot The Velvet Underground. This article in Senses of Cinema digs further into Smith’s ‘familiar-but-unfamiliar’ approach.

The Black Tower is a 23-minute film released by Smith in 1987. The super-fan uploader didn’t monetize this, which is nice — The Black Tower is the sort of thing that should remain free of ads; otherwise, its spell is broken. “Architectural horror” is an intriguing phrase I saw to describe the film. For me, The Black Tower is like a campfire ghost story, except it’s told next to a darkened chip shop in a disused city alleyway instead of a campfire. 

John Smith's The Black Tower

The Black Tower mainly comprises of stationary shots of nothingness and near-nothingness, but this is gripping stuff. And inspiring, too — don’t let anyone tell you lack of budget and gear constrain triumphant acts of creativity. Just get that Black Tower out of your head.

❋-❋-❋-❋-❋-❋-❋-❋

I often wonder why more artists don’t exploit that a Bandcamp download can contain more than just audio files and an album cover. There’s an opportunity to expand an album, to add GIFs and short movies, PDF booklets, and collections of images. Surprise the listener with digital esoterica, revealed only upon purchase and download.

The concept’s potential is a natural fit for Puremagnetik. This small company is developing unique audio plug-ins for creators while manning an active experimental label on Bandcamp. Ambient explorer Taylor Deupree has released Small Winters through the label, and something new from Taylor is a cause for celebration on its own. Taylor is a longtime master of the is-it-broken-or-intentional style of soundscape as he loops warm tones over crackles and randomly conjured defects. The sources for these tones are often something other than synthesized — on Small Winters, you’ll find a glockenspiel. If you’re into this flavor, Taylor doesn’t disappoint. I’m a fan.

But there’s more in store for those who download Taylor’s latest. The album’s title, Small Winters, is also the name of a DAW plug-in designed by Puremagnetik’s Micah Frank with prodding from Taylor. “Taylor suggested that a custom device might be an interesting way to constrain the album’s sonic palette,” says Frank. “We bounced some ideas back and forth and came up with this concept of a broken Tascam 4-track from the future.” Purchase this release on Bandcamp, and you’ll find a text file bundled with the tracks outlining instructions for downloading the plug-in.

The album prominently utilizes the plug-in throughout, most notably on “Long Winter,” which treats the glockenspiel with percolating layers of static-tinged stereo-enhanced repetition. The result is beautiful; the hard attack of the ‘spiel is softened by reversed effects, low-end ghost notes, and a healthy dollop of artificial tape hiss. An ARP 2600 eventually joins in with hints of a glimmering, subdued melody.

“Long Winter” is followed by a series of shorter tracks with uncapitalized titles like “air” and “tea.” After the set’s preceding magnum opus, these might come off more like mere demonstrations of the included plug-in if the cuts didn’t fit snuggly within Taylor’s body of work. I know Taylor and Small Winters don’t rely on a plug-in for beautiful, melancholic atmospheres. But I can’t tell if this plug-in requires Taylor to come close Small Winter‘s remarkable sound. I’ll have to play with the included plug-in and figure that out for myself.

------------------

Related posts:

  1. The Legal Argument Formerly Known As Fair Use
  2. The Promise of Unending Knowledge
  3. Incendiary and Extraordinary

Filed Under: From The Notebook, Listening, Watching Tagged With: Bandcamp, Cabaret Voltaire, Chrome, experimental film, Helios Creed, John Smith, Kraftwerk, Movie Recommendations, Music History, music production, Music Recommendations, Public Image Limited, Puremagnetik, Taylor Deupree

Comments

  1. Tony Mims says

    July 26, 2022 at 6:18 am

    Loved the article Michael.
    I used to record all those trippy art videos that came on late. Funny, I probably still have them in storage.
    You’ve definitely given me some more exploring to do!
    Thanks!

    Reply
    • M Donaldson says

      July 26, 2022 at 3:05 pm

      Nice one — I’ve got some interesting stuff on some old VHS tapes, too. It’s all probably from 3rd or 4th generation copies which undoubtedly add to the mystique.

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

8sided.blog

 
 
 
 
 
 
8sided.blog is a digital zine about sound, culture, and what Andrew Weatherall once referred to as 'the punk rock dream'.

It's also the online home of Michael Donaldson, a slightly jaded but surprisingly optimistic fellow who's haunted the music industry for longer than he cares to admit. A former Q-Burns Abstract Message.

"More than machinery, we need humanity."
 
  Learn More →

Mastodon

Mastodon logo

Exploring

Roll The Dice

For a random blog post

Click here

or for something cool to listen to
(refresh this page for another selection)

Linking

Blogroll

A Closer Listen
Austin Kleon
Atlas Minor
blissblog
Craig Mod
Disquiet
feuilleton
Headpone Commute
Hissy Tapes
Jay Springett
Kottke
Metafilter
One Foot Tsunami
1000 Cuts
Parenthetical Recluse
Poke In The Ear
Robin Sloan
Seth Godin
The Creative Independent
The Red Hand Files
Things Magazine
Warren Ellis LTD

 

TRANSLATE with x
English
Arabic Hebrew Polish
Bulgarian Hindi Portuguese
Catalan Hmong Daw Romanian
Chinese Simplified Hungarian Russian
Chinese Traditional Indonesian Slovak
Czech Italian Slovenian
Danish Japanese Spanish
Dutch Klingon Swedish
English Korean Thai
Estonian Latvian Turkish
Finnish Lithuanian Ukrainian
French Malay Urdu
German Maltese Vietnamese
Greek Norwegian Welsh
Haitian Creole Persian

TRANSLATE with
COPY THE URL BELOW
Back

EMBED THE SNIPPET BELOW IN YOUR SITE
Enable collaborative features and customize widget: Bing Webmaster Portal
Back

Newsroll

Dada Drummer
Dense Discovery
Dirt
Erratic Aesthetic
First Floor
Garbage Day
Kneeling Bus
Lorem Ipsum
Midrange
MusicREDEF
Orbital Operations
Sasha Frere-Jones
The Browser
The Honest Broker
The Maven Game
Today In Tabs
Tone Glow
Why Is This Interesting?

 

TRANSLATE with x
English
Arabic Hebrew Polish
Bulgarian Hindi Portuguese
Catalan Hmong Daw Romanian
Chinese Simplified Hungarian Russian
Chinese Traditional Indonesian Slovak
Czech Italian Slovenian
Danish Japanese Spanish
Dutch Klingon Swedish
English Korean Thai
Estonian Latvian Turkish
Finnish Lithuanian Ukrainian
French Malay Urdu
German Maltese Vietnamese
Greek Norwegian Welsh
Haitian Creole Persian

TRANSLATE with
COPY THE URL BELOW
Back

EMBED THE SNIPPET BELOW IN YOUR SITE
Enable collaborative features and customize widget: Bing Webmaster Portal
Back

ACT

Climate Action Resources
+
Union of Musicians and Allied Workers
+
Roe v. Wade: What You Can Do

Copyright © 2023 · 8D Industries, LLC · Log in