The Digital Dispute Over Mechanical Royalty

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  1. God, let’s hope it doesn’t get any worse than "pay $10 a month to access to millions of songs" as the value of music. The math: $10/50 songs = $0.20 per month for the artist? But $10/month times millions of people sure add up for the "provider", enough to pay tens of millions of fines and then some, apparently. Same story over and over again- how do we use artists to make billions for ourselves? And what does the artist do when nobody supports them at all anymore, when they have practically nothing from the supposed "good deeds" that streaming and the other businesses are doing? Oh, I am sure they will help them out from their billions- I heard they are very generous and ethical, it is obvious from the business model (LOL)

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Howdy. I'm Michael Donaldson.

I'm a constultant for the music industry, working with emerging artists and labels. I also manage a label of my own, named 8D Industries, and publish + license music under 8DSync. Sometimes I'm a Q-Burns Abstract Message. But mostly I'm just trying to keep these damn cats out of my office.

Michael Donaldson

I like to send postcards to my friends, and if you'd like I'll send one to you.

Oh, and here's what I'm working on now.

 


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I’m Michael Donaldson.

I have strong opinions about music.

Sure, I will be happy to rattle off endless recommendations of obscure bands and point you to my meticulously curated Spotify playlists. But my sharpest opinions are reserved for the music industry.

I am intimately invested in how recording artists and bands administer their song rights, market themselves, and grow their careers. And it’s no surprise; since my first job as a teenage clerk in a mall music store I’ve managed record labels, worked in music publicity, launched a song licensing and publishing company, and spent over a decade touring the world as a major label recording artist.

Now I work primarily as a consultant for artists and labels seeking to navigate the ever-changing 21st-century music landscape. I also manage the ‘exploratory’ record label 8D Industries, publish and license a diverse song catalog with 8DSync, and sometimes find the time to create music of my own.

I often ponder the future of music while slowly gliding on a paddle board across Orlando’s Lake Holden.

Here’s what I’m working on now.

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