8Sided Blog

the scene celebrates itself

desolation center

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Loose observations:

  • I’ve loved all these bands since around the time these shows were happening in the distance and this film somehow made me love them all a little bit more.
  • Bruce Licher’s been on fire for such a long time with his screenprinting and design. I’d love to have one of those tickets in a small frame.
  • Funny that the SRL guys come off here as some pre-Jackass bros with explosives.
  • I didn’t expect that the Minutemen were the heart and soul of Desolation Center (the organization and this movie). I knew the final part about D. Boon was coming but it still hit me like a ton of bricks.
  • The ‘festivals are huge nowadays’ montage at the end seemed unnecessarily tacked-on, but, overall, this movie is a really important document of the crafty independent music scenius in the US that grew out of Reagan’s ’80s.

Desolation Center is streaming now via Kanopy and available as a digital rental in the usual places.

An Amazing BBC ‘Bootleg Report’ from 1971

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I previously wrote about bootleg culture in the age of streaming and reminisced on the simple days of CD bootlegs sold in my own record shop. Now my pal Kenn Richards — via his essential Research {Curation} Reduction newsletter — alerted me to this 14-minute BBC documentary from 1971 examining the bootleg scene in London at the time. Holy cats, this is wonderful.

The video features incredible quotes and contributions from Led Zeppelin manager Peter ‘no one heavier than me’ Grant, ‘The’ Pink Floyd, Yoko Ono, and John Lennon who prefers to be in a bag. Also, it’s so quaint how the guy who manufactures bootlegs and the other guy who sells them (at a Virgin Records, no less) are so open and casual and like ¯_(ツ)_/¯ about it.

Here’s some bonus content from the same year: Neil Young discovering bootlegs of his own work in a Los Angeles record store. Watch the guy behind the counter — his uncomfortable body language as Young starts flipping through the bins is priceless.