8Sided Blog

a zine about sound, culture, and the punk rock dream

Ballad of the Blog

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Perhaps you’ve noticed that this blog is alive once more, after a long and mysterious absence. My newsletter came to a skidding halt about seven months ago, and the blog’s been eerily silent. The only place you could openly find me all this time was Twitter, which is simply embarrassing.

I wrote about this on Twitter last August with an optimistic tone that, in retrospect, was perhaps jumping the gun a little. Expanding on that thread, I’ll say that I was (and am) exhausted — just like many of you. As COVID-times dragged on and on and on and the vicious news cycle dragged on and on and on, the ennui gathered into mountains. There was nothing I wanted to write about. Nothing in my head, nothing inspiring, nothing exciting to document in the early morning hours. Even my journal, updated almost daily for years, went dark.

Luckily my professional life doesn’t rely on writing, so I had the luxury to stop and wait. Nevertheless, I knew that I was hardly alone in this stifled feeling. And, heeding the advice of those talented enough to write through this malaise, I knew the best strategy was to not stress out about my lack of motivation. The recommended move was actually to lean into it — do other things, find new hobbies, read lots of books, and occupy the brain with something other than the fact that the creative plumbing’s sprung a bad leak.

So, that’s what I did. I shifted focus to my spunky music label, 8D Industries. I learned to make tasty and fiery hot sauces (which became a gateway drug to vegan cooking). I got actively involved with marketing Caroline’s growing Kitten School channel. I spent a lot more time with family as I successfully and safely moved mom to a house next door during a pandemic. And I started getting involved in freelance podcast production.

Several months ago, I was hired to edit and co-produce Andrew Loog Oldham’s Sounds and Vision podcast, and the experience has been a delight. If you don’t know, Andrew is the original manager and producer for The Rolling Stones — as just one of his too-many-to-list-here historical music adventures — and he’s got stories for days. Check out the podcast if you’re even a little curious. It’s a lot of fun. I’d recommend the Elliot Easton (guitarist with The Cars) episode for a starter as it’s got lots of juicy behind-the-music-industry tales.

Meanwhile, the writing bug has finally returned over the last couple of months (along with the music bug, but that’s another story). As arbitrary as ‘the new year’ is as a signifier, it’s still a useful prompt to refresh. And that’s what I plan to do. On the immediate agenda: make some changes to the blog (currently in progress!), start blogging regularly again, and then, once firmly in the saddle, relaunch the newsletter. Voilà. Easier said than done, right? But I’m excited nonetheless, and that’s an accomplishment in and of itself.

I’ll finish this deep gaze into my navel with a few notes about the newsletter. 

First off, I’m retiring Ringo Dreams of Lawn Care. I consider Ringo its own series (in the television sense) and a moment-in-time capsule. I’ll call the relaunched newsletter something else (tbd). It’ll have a different format, but I’ll cover the same genre of topics. 

Also, the newsletter won’t be on Substack. I’m exploring a combination of Sendy and Newsletter Glue to host the newsletter on this site. This change potentially sets up a roadblock of discouragement as it’s complicated (oh jeez I’ve got to figure out what a VPS server is). But I want to learn newsletter self-hosting partly as a self-challenge and also to be able to teach others how it’s done. 

If you’re a Ringo subscriber your subscription will automatically transfer to the new entity once I’m ready to roll. You don’t have to do anything, unless you’d like to unsubscribe, which you can do at any time (including now if you’d like). If you’re not subscribed, go ahead and use the Substack sign-up form found in the sidebar of this site. I’ll add your address for the new incarnation of the newsletter upon launch.

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Another personal update: I released a song at midnight on January 1.

Grottoes is a long-imagined project, revealed as I finally step away from Q-Burns Abstract Message. Yes, the AUDIOTOTEMPOLE EP was always meant as a closing of the door. And Grottoes predates “Touchtones (1997),” the earliest reference on that EP. I tried and failed to start a band called Grotto in the early ’90s after the dissolution of my much-beloved (by us and some others) band Tick Tick Tock. There are too many other bands called Grotto nowadays, so Grottoes it is. It looks mightier written as text that way, so win-win.

The quiet first appearance of Grottoes was a remix for Brighton’s The Self-Help Group and the song “Temple OS” (a fine song in its own right, btw). That one was recorded in mid-2021, during my supposed creative lag, and is the last time I worked on something musical. I hoped this would spark other Grottoes tunes to serve as accompanying tracks for something called “Straw Belle.”

“Straw Belle” isn’t new. I started recording it maybe three or four years ago, and it’s a song that I revisited and tweaked periodically. I settled on a final version at some point in late 2019. I feel it’s one of the best things I’ve recorded. And I held it tight — only about four people have heard “Straw Belle” before today — under the assumption that I’d record a few more songs like it and release an EP. As you probably guessed, that never happened.

After encouragement during a catch-up phone chat with my friend Jeff (the bass player in even earlier attempts at bands), I realized that “Straw Belle” would never see the light of day if I attached it to the loose promise of ‘other songs like it.’ So I decided it should finally come out on its own, and, as this revelation came at the end of 2021, New Year’s Day seemed like a novel release date.

For your consideration, here’s “Straw Belle” by Grottoes. Artwork by Matthew Naquin. Secret assistance from The Imprisoned Wizard. Sounds like group homes, wavering spaces, pangs of crunch, tones from belief, e-bow symphonies. I hope you like it. Please tell the others if you do.

Addendum: The Orlando Weekly‘s Bao Le-Huu wrote about my musical shift to Grottoes and scared a few headline skimmers by declaring me dead.

The Isolator

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Hello, Distraction, My Old Friend → I meant to take a two-week break with my email newsletter and ended up taking five weeks off. That surprised me. It also made me think about distraction. The holidays — during which I announced my ‘short’ hiatus — are always a considerable distraction already. And then, this time around, we’re also navigating a pandemic and a volatile news-scape.

The beginning of each new year is usually calm and reflective, and I assumed the first week of 2021 would be the same, allowing time to seize back attention. Nope. So far, this new year has been a crazy one, a worrying one, a hectic one, and, as it turns out, a not entirely unexpected one. All attempts to write and publish Ringo foiled and unraveled.

Distraction’s a problem, always has been. Things seem to be settling down a tad, in both the outside world and my personal sphere. Here’s hoping the political winds change, and distraction levels decrease, but I’m not holding my breath. Personal and professional occurrences are distraction enough. I’m on a Sisyphean quest to defy and deny distraction so I can more easily do things I want to do this year — like send out a weekly Ringo. 

Anil Dash recently posted about his Personal Digital Reset. This piece poses his alternative to New Year’s resolutions, a typically 2021 cleanse of one’s digital life. Many of his proposals make sense: a lot less (to no) social media, ingesting online news and information solely with intention, replacing FOMO with YAGNI (‘You Aren’t Gonna Need It’). Others, such as wiping your computer and reinstalling everything from scratch, seem drastic but might actually be a good idea. Honestly, getting bogged down for hours maintaining a computer sounds like another distraction to me. But we are recalibrating here, right?

Have you seen The Isolator? Here’s a helmet worn while working, to relieve the writer of all distractions. It even includes an oxygen tank, so you don’t have to come up for air. On the other side of the coin, there’s the TV Helmet — an enclosure that feeds the wearer nothing but distraction, uncontrolled and divorced from intention. Notice how similar these are in concept despite the dichotomic applications. Happiness is found somewhere in the middle, no headwear required. 

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Ken Burns’ Jazz → Noting this because chances are you are an Amazon Prime subscriber so you can get those dark gray vans to visit your doorstep frequently. Jazz is available on Prime’s streaming service at no extra cost right this very moment. This astonishing series from K-Burns was released in 2001. That was just in time, as I doubt many of the interview subjects were around much longer. This thing is massive — is it like 20 hours, maybe more? Well, the pressure’s on because I think it’s leaving Prime (as a ‘freebie’) on the first of February. You’ve got a week. At the very least, watch the first few episodes — the origins of jazz are compelling, instructive, and say a lot about US history. Of course, the history of any country is in the history of its music.

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Elijah Knutsen – Pink Dream → Elijah Knutsen is a regular occurrence on the blog, and he’ll continue to pop up as long as his ambient experiments remain so alluring. Pink Dream is his latest, the second in a promised series of ‘micro releases’ issued through Knutsen’s new Memory Color imprint. The showpiece is “Wonder How,” which opens the EP with cavern-drenched guitar chords and reverb-maxed plucks. Bonus birdsongs add to the heavenly atmosphere — one almost imagines a giant, glowing harp in luminescent clouds — and the overall effect neighbors the instrumental passages on Cocteau Twins’ seminal Victorialand LP. Other cuts are shorter but no less fascinating, especially the closing “Somewhere Knows.” An intro of gentle crowd sounds fade into a ballet of organ tones and swooping hints of melody as the light throng of people slowly returns. The tune doesn’t sound like anything else that’s recently hit my ambient inbox, which is about as high a compliment I can give for something in this genre. 

Any Relief is Sweet Relief

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One More Post About Stress and Creativity → I’ve alluded to the challenges and difficulties of putting together a weekly email newsletter, which are the obstructions of creative work, really. Whether writing, music-making, brainstorming, anything requiring the mythical ‘creative juice’ — the stars should be aligned, right? If something’s out of whack, then perhaps it’s not happening. The mood escapes us, and, creatively, we feel like fish flapping on the edge of the dock. 

I could probably say it’s felt like this for four years, but COVID-times — coinciding with the launch of my newsletter somehow — exaggerates the mental forecast for dark clouds. A few of you have picked up on these feelings, responding to confirm the matching weather in your heads. Our challenges aren’t equal, and I’m aware I’m better off in these circumstances than most. But the combination of daily chaos from the White House, a global pandemic, and the duly exacerbated struggles of self-employment weigh heavy. I admit: this stress-fog is the reason the newsletter slowed down its pace to fortnightly. No matter how much I try to keep my brain fresh — news-avoiding, stoic reminders, meditation — the dark clouds find a way to shoo off the ideas. And the motivation to go along with them. 

So how do I feel today? Probably, like you, a bit better. Damon Krukowski tweeted yesterday that Boston’s 4.2 earthquake was actually “everyone jumping out of bed with energy for the first time in 4 years.” I don’t know how long this lasts — the daily chaos is already starting to resume, battering us for at least a couple of months. The pandemic is scarier than it’s ever been. And I’m still a self-employed person balancing the financial precipice. But on at least one or two of those points, I see some hope, and I didn’t feel that way several days ago. Any relief is sweet relief, and my creative process is thankful. 

I decided to use this blog and my newsletter as a respite from all this turmoil. That’s why I haven’t spoken about it much and why it feels weird writing about it now. And I don’t want to make it all about me, either. But I feel like it’s a good possibility you’ve been going through the same challenges. You might also feel less ‘weighted’ today. Again, that doesn’t mean it’s easier from here out — creation is hard even in the best of times. But any ray of light helps shine through those clouds, doesn’t it? Onward.

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Speaking of my Email Newsletter → Will Sumsuch let loose a bunch of lovely words about Ringo Dreams of Lawn Care in the new issue of 5 Mag. He calls my newsletter “a neatly packaged antidote to our horrendously homogeneous musical landscape” and “like an artistic self-help guide.” Can you see me blushing through the email? I hope to live up to those accolades as rev back up to my weekly broadsides. Thanks, Will! The latest issue of 5 Mag is only available to subscribers right now, but you can download it for $2.99. You should! It’s rad, and, as usual for the publication, it features a lot of informative underground dance music content to grok. [LINK]

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Pylon – Box → The best band I ever saw live (and I didn’t even get to see them in their early ’80s prime) has a wonderful box set out. It’s Pylon, and it’s called Box. Sasha Frere-Jones wrote some great words about it on 4Columns, including this thinly disguised call-to-arms: “These recordings demonstrate how powerful the idea of punk was as liberation, not in the sense of political emancipation but as a license to start from scratch.” Anyway, you could do worse than put on Pylon today or any day. “These kids listen to dub for breakfast.” You can listen to (and buy) Box on Bandcamp or those streaming spots. [LINK]

What Am I Doing Now? (New Year Edition)

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This month seems like the beginning of a year of transition but, when you think about it, every new year is a year of transition. The flick-of-a-switch from one numbered timeline to the next is arbitrary, but the anticipation of flicking does inspire reflection and taking of stock. This one’s more potent as it’s the start of a new decade. The self-examination was particularly intense this time.

2019 felt like an ‘in-between’ year — like I spent it preparing for something. There were accomplishments and significant moments (like marriage!), but looking back, I see a lot of things getting set up for the future.

What am I setting up? Well, this is the year of 8DSync and going all-in on music publishing and licensing. It’s an area I’ve worked in for two decades but as a side-gig to other endeavors. Now with the help of my colleagues Miguel Bustamante and Craig Snyder, I have brought 8DSync to the forefront. The move makes sense — I am more knowledgable in music publishing than any other music business field, and it’s what I do best. Time to lean in.

Beginning the year, I’m in the process of redesigning the 8DSync website from scratch. Not understanding what I was getting into, I decided to do this redesign myself. The site is looking great, but it’s a work in progress as well as a time-consuming one. I’m adding many artist and release pages over the next few months.

Some of those artists represent new signings to the 8DSync roster. We start the year with these exciting additions: Kingston, New York’s psychedelic Shana Falana, the UK roots-rock act Swampmeat Family Band, Jonathan Brodeur and his power-poptastic Bird Streets project, and a lovely downtempo label out of Ireland called WeGrowWax. There’s also a new album from Scotland’s The Little Kicks on the horizon. That’s a lot of fantastic music to look forward to straight away.

Another of my projects due for a refresh is the 8D Industries label. We took a hiatus as the artists concocted releases, but now it seems likely we’ll have new music from Monta At Odds, San Mateo, and More Ghost Than Man before next summer.

But what about Q-Burns Abstract Message, you ask? I’m working on a new batch of songs, too. It’s all quite different, and I debate even using the Q-BAM moniker, though I probably will. I’d like to have a consistent slate of releases this year — perhaps a series or 3 or 4 song EPs — which will be a challenge. I must remind myself that we make the time, we don’t find the time.

And there’s a ton of writing in my future. The 8sided blog is an integral part of my life, and I enjoy working on it. I’m meeting cool new people through it, too (drop me a line anytime). I have internal debates over what this blog is exactly — is it a place for music industry commentary, or reviews and notes on the culture, or can I get personal, or can I get silly? I’m leaning towards it being all these things. But one thing I plan to examine repeatedly is how we’ve grown to rely on the biggest corporations in history for the dissemination of our art. How do we maintain our independence as the tech-giants chip it away? That’s the theme of the blog if there is one.

For over a year, I’ve been threatening to start a newsletter. All the cool kids are doing it, and I want to hang with the cool kids. Well, it’s ready to launch, and it has a name: Ringo Dreams of Lawn Care. What’s that about, right? Just bear with me. The newsletter will be different than the blog though I’m not sure how yet. The first few ideas for issues are more personal, more story-oriented. I’ll base it on my experiences juggling all these things — the publishing company, the label, Q-BAM — and the trials of working in the music industry from outside of the music industry. I’m sure I’ll also write about interesting things I’m reading and watching and hearing, too. It will be good, and I’m setting the first issue free in a few weeks. Please sign up here.

What am I looking for in 2020? Well, besides the replacement of some of our world leaders (omg plz), I’d like more excuses to travel. I already have flights booked for returns to SXSW and MusicBiz, but would enjoy several more chances to ride on airplanes. I’d also like to pick up a couple more consultancy clients this year, whether artists or labels needing help with branding, positioning, and release strategies or companies looking for assistance with music publishing and rights management. And I’d love to advise and collaborate with a cool outsider artist, band, or label — one dedicated to a musical niche with no mainstream aspiration and struggling with being seen in 2020’s ephemeral information whirlpool. If that’s you and you’re willing to do the work, then feel free to get in touch.

One last tidbit: I mentioned SXSW above. I’m thrilled to announce that there will be an 8DSync showcase at the festival this March, featuring many of the artists mentioned above. I’ll have the details soon. I played SXSW a few times as Q-BAM in the past, but I’ve never been on the organizing side of a showcase. So that’s exciting.

OK, you didn’t ask for it, but now you’re up to date on my activities. And, as a byproduct of this ramble, I have a clearer idea of what I’d like to do over the next few months. 2020 is the year when all that table-setting in 2019 pays off. Now I’d like to hear from you. What are your big plans? Is there an opportunity for us to work together, or bounce around some ideas? I’m game. I have the feeling this could be our year.